A. Le Blanc, (Re)saying: Jules Laforgue and the Cliche - Poetry and Poetics

French Literature Reviews - 2026

A. Le Blanc, (Re)saying: Jules Laforgue and the Cliche
Poetry and Poetics

Bibliographic reference: Alissa Le Blanc, (Re)saying: Jules Laforgue and the Cliche, Honoré Champion, "Romantisme et modernités" series, 2016, 758 p.

EAN13: 9782745330482.

120 EUR

Publisher's overview:

This study offers a fresh reading of Laforgue's work through the lens of the cliché. If, according to the "fatal law" inherent in fin-de-siècle modernity, aesthetics rapidly devalue, if words, formulas, and images wear out and become debased, and if, as Laforgue writes, "everything is predetermined to be a pitiful cliché," then what is the point of adding to the endless stream of idle chatter?

Prompted by this fundamental question, the author develops an original approach to the problem of literary banality. Driven by an ironic style, the cliché transforms into a powerful tool for deconstructing discourse and a catalyst for linguistic inventiveness, ultimately enabling the renewal of poetic expression.

An *agrégée* in modern literature and Ph.D. in French literature, the author currently teaches at the Lycée Marie Curie in Versailles.

Placing Jules Laforgue within the context of fin-de-siècle literature, this scholarly examination addresses the profound crisis of aesthetic devaluation that preoccupied late-nineteenth-century writers. As conventional language grew increasingly worn and debased into idle chatter, authors faced the challenge of writing amidst pervasive banality. Alissa Le Blanc investigates how Laforgue confronts this aesthetic impasse, turning the inevitable weight of pre-existing formulas into a productive artistic constraint. Rather than simply rejecting commonplace expressions, the study demonstrates how his characteristic irony transforms tired phrases into instruments of critical distance and formal innovation.

This detailed exploration will prove especially useful for scholars of French poetry, modernism, and nineteenth-century aesthetics who are interested in the mechanics of poetic language and discourse deconstruction. By analyzing the interplay between cliché and linguistic inventiveness, the work offers valuable perspectives on how modernist writers revitalized poetic expression from within the very structures of language that threatened to exhaust it. It serves as a sophisticated resource for understanding the broader intellectual and stylistic shifts that defined the transition toward literary modernity.

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