French Literature Reviews - 2026
Vladimir Jankélévitch: The Imprint of a Cultural Mediator
Philosophy, Anthropology and Ideas
Vladimir Jankélévitch: The Imprint of a Cultural Mediator
edited by Jean-Marc Rouvière and Françoise Schwab
Éditions Le Manuscrit - 2007
ISBN 2-7481-8584-6
available at www.manuscrit.com
in two formats:
- traditional paperback with home delivery
- downloadable PDF file
Table of Contents
Introductions
Philosophy Speaks to the Firstcomer, by Jean-Marc ROUVIÈRE
A Few Little Things I Know About Him..., by Françoise SCHWAB
Memories of a Comrade, by Maurice de GANDILLAC
Philosophy
Jankélévitch and the Mystery of Suddenness, by Pierre-Michel KLEIN
Commentary on Plotinus' Treatise on Dialectic, by Jacqueline LAGRÉE
Jankélévitch and Shestov, by Isabelle de MONTMOLLIN
Jankélévitch and Levinas, by Joëlle HANSEL
The Ineffable and the Utopian as Dimensions of Listening: Jankélévitch and Bloch, by Elio MATASSI
Music
Jankélévitch's Musical Culture, by Emmanuelle CORBEL
Portrait of Jankélévitch as a Dedicated Music Lover, by Jean-Michel NECTOUX
Memory and Nostalgia, by Francesco CORSINI
The "Logos" of Silence: The Philosophy of Music in Jankélévitch, by Simone ZACCHINI
The Enchanted Temporality, by Françoise SCHWAB
Engagements in the Century. The Cultural Mediator
Jankélévitch and the Question of Law, by Alain LE GUYADER
The Torn Sky: On the Spudarism of Values, by Jean-François REY
Done with Germany, by Alain DAVID
Jankélévitch and Israel, by Gérard HUBER
Malice, by Serge HAJBLUM
Conclusions
Beyond Seriousness, by Lucien JERPHAGNON
Witness in Overcast Weather, by Pierre TROTIGNON
Vladimir Jankélévitch occupies a distinctive place in twentieth-century French philosophy, bridging rigorous academic inquiry with deeply felt reflections on ethics, time, and music. As a scholar and public intellectual, his writings engaged with central currents in modern European thought while maintaining an independent voice focused on the ineffable, the nature of suddenness, and the nuances of moral experience. This volume collects various perspectives on his multifaceted legacy, touching upon his enduring fascination with musical expression, his philosophical influences, and his responses to the historical and political events of his time. Readers interested in twentieth-century French philosophy and the intersection of ethics, aesthetics, and culture may find this collection a useful addition to their studies.